Friday, May 30, 2008

Labelle reunion album on the way..


Hot off the comeback wire (I know that's what this blog has become lately, regular programming to return soon) - the return of Labelle is evidently fully official now. While this has been in the works for some time now, and even before this, the ladies have reunited on regular occasions, a new album, their first in 32 years (although the press release says 33, either their off with their math, or maybe they just thought 33 sounded better) is now in the pipeline. Set to be released on Verve Records the record is set to feature production from Gamble & Huff and Lenny Kravitz.

Although I'm still missing some of their albums, I can definitely say that together and individually Patti, Nona & Sarah released some stellar records in their careers. Their final album, "Chameleon" (1976, Epic) is an all time favourite of mine, not to mention Sarah's disco classic "Sinner Man," Nona's "Busting Out" with Material and her excellent 1983 album ("B-Boys," "Transformation" - written by Canadian rock icons Rough Trade, no less) and Patti's career goes without saying, obviously... Although I'm not sure theyll be able to fit in to them old space suits and feathered frocks and what not (well maybe Nona can), but I've no doubt the ladies can still deliver. Vocally, the three of them together are practically explosive..

There's a great recent interview with them on Gaywired on the reunion which is worth a read.. Here's a copy of the recent press release:
Labelle Reunites on Verve Records for First Album of Original Songs in More Than Three Decades
Music's Most Revolutionary Female Trio Hits Studio With Rock Icon Lenny Kravitz and R&B Giants Gamble & Huff Producing

NEW YORK, May 27 /PRNewswire/ -- There are reunions and then there are reunions ...

Embodying one of music's most enduring one-word brand names, and boasting a genre-defying legacy that has successfully spanned three generations, our era's most influential female powerhouse is about to show a stifled music industry how to really turn it out.

Labelle is back!

Patti Labelle, Nona Hendryx, and Sarah Dash, R&B's most original and formidable trio are reuniting via Verve Records to deliver their first full-length studio album in more than 33 years.

The new recording, to be completed in June and on course for a global unveiling in the fall of 2008, is being produced by a trio of icons equally up to the task: cutting edge funk rocker Lenny Kravitz and longtime Labelle collaborators and 2008 Rock and Roll Hall Of Fame inductees, Gamble & Huff.

Transforming themselves from the classic-style 1960s girl group The Bluebelles into what one writer coined as 'the genre-bending rock supernova' of the 1970s, the innovative trio deftly combined glam rock, soul, funk, pop and gospel into a brash amalgam of breakthrough recordings such as "I Believe I've Finally Made It Home" from their pivotal second album Moonshadow (1972), and the groundbreaking "Lady Marmalade" from Nightbirds (1974)."

Labelle redefined the creative arc of the girl group, celebrating their three distinct personalities by donning outrageous costumes and addressing controversial issues in song and demeanor, shunning the cookie-cutter stereotypes that plagued most female singers of the era.

The group (which included Elton John on piano in its earliest incarnation) continually pushed gender boundaries in music of black origin, opening up for rock icons such as The Who and the Rolling Stones as they revolutionized the roles women played in R&B, rock'n'roll, and even fashion.

Often cited as a key influence for a new generation of female trailblazers such as Erykah Badu and Christina Aguilera, (the 2001 Missy Elliott-produced remake of "Lady Marmalade" featuring Aguilera, Mya, Pink and Lil' Kim snagged MTV's Video Of the Year, among other awards) the new songs crafted by Labelle also reflect the growth, wisdom and healing that exemplifies their individual storied paths after going their separate ways more than 32 years ago (though there have been several special events and live reunions since).

Braced, as always, by their trademark vocal firepower, the 2008 version of the supergroup still relies on their expansive range, show-stopping sense of theatricality, and as Nona puts it, their innate ability to "pull together as sisters and 'Labelle-ize' the music and the vibe and the spiritual side of what we do like nobody else on the planet."

Concocting an energized blend of uptempo songs and heart-wrenching ballads, the new recording includes the mesmerizing "Candlelight," the driving "System," the scorching "Superlover," and the old school/Gamble & Huff-helmed "Living Without You," resulting in an edgy but fan-pleasing album that once again finds Labelle embarking on a riveting musical narrative.

"The thread that always runs through is that we're sisters and we'll always be sisters," declares Patti. A connection between the three that may have frayed now and then over the years, but always remained unbreakable "The timing for us getting together was perfect," says Nona. "About a year and a half ago we met in the studio to record a tribute to civil rights icon Rosa Parks (the song "Dear Rosa" has yet to be released) and we just felt in our bones it was time to do this." It was Nona who tapped eclectic rocker Lenny Kravitz for initial production duty on the new disc. "We're friends and admirers of each other's work. We talked to him about the idea of us getting together and invited him to a session. He showed up that day at 5:00 and we haven't stopped working since."

Where Kravitz represents the next-generation appeal of the Labelle magic, legendary songwriters/producers Gamble & Huff were part of the Philadelphia/New Jersey nexus that helped launch the careers of the famous trio and give birth to the most popular soul sounds of the 1970s (O'Jays, Teddy Pendergrass, Harold Melvin & The Blue Notes, and others). In fact, Kenny Gamble and Patti Labelle grew up on the same street in Philadelphia, and Gamble was instrumental in helping to launch Labelle's career.

Such foundational strengths anchor the new album, eliciting the same kind of confidence that enabled Labelle to break the mold back in the 70s, with each member eventually taking flight in inspired solo careers that accentuated their respective gifts. Patti went on to sign with Gamble & Huff's Philadelphia International Records in the early '80s, releasing the seminal album I'm In Love Again that cemented her long and acclaimed solo career. Her subsequent duet with Michael McDonald, "On My Own," soared to #1 on the charts, with scores of hits and an impeccable live reputation rounding out more than two decades of acclaimed releases, television and film appearances, sold-out shows across the globe, and multiple awards, including her April 2008 Humanitarian Award presented in New York by the We Are Family Foundation chaired by Nile Rodgers.

Nona and Sarah (both hailing from Trenton, NJ) have also sustained compelling and highly successful individual careers. Sarah Dash has collaborated with such notable artists as Nile Rodgers and the Rolling Stones, (she even sang back-up on the Steel Wheels tour). Sarah also drew raves as a celebrated fixture of Keith Richards' solo outfit The Expensive Winos. She too, has written for the stage and is currently penning her autobiography, as well as staying involved in local Trenton community endeavors. Her recent appearance in San Francisco's hit interactive theatre presentation, Teatro Zinzanni, seamlessly blended her commanding performing style with European cirque, opera, and musical theatre.

Nona's songwriting and production ventures have led her to work with everyone from Dusty Springfield to the Talking Heads to Keith Richards, among dozens of other stars. A renowned tastemaker of both the rock and R&B worlds, she's contributed to the Showtime series Sleeper Cell soundtrack, working with Paul Haslinger, produced and written plays, and even launched her own label, Rhythm Bank, enjoying "sitting on the other side of the table for a change."

Labelle's long-awaited return to the studio signifies yet another chapter in the historic legacy of the group. But all three members are quick to assert it's not the final one. There will be a tour. After all, the live component of Labelle has often been cited as their most unforgettable dynamic.

"We're going to bring to the fans everything they've been asking for. We haven't lost our edge," assures Nona. "I feel we're better because of everything we've gone through," seconds Sarah. For a group whose roots indeed go all the way back to opening up for icons such as James Brown and Otis Redding, leave it to Patti to wrap it up -- true Labelle style. "I think all you gotta say is 'we're here.' We're like that caged bird. If you love it, you open the door and let it fly because you know it's going to come back stronger. Well, we're back, baby. Anyone that knows Labelle knows we don't know how to hold anything back."

http://www.vervemusicgroup.com

LINKS:
NONA HENDRYX - MYSPACE
SARAH DASH - MYSPACE
WIKIPEDIA - PATTI LABELLE
EURWEB - LABELLE REUNION ANNOUNCED (MAY 28, 2008)
GAYWIRED EXCLUSIVE - HEY SISTER SOUL: THE RETURN OF LABELLE (BY STACYE HOLTE & DUANE WELLS) (MAY 8, 2008)
BILLBOARD - HENDRYX: LABELLE REUNION IN THE WORKS (FEBRUARY 13, 2006)

CATEGORIES: DISCO NEWS

Wednesday, May 28, 2008

Colour it a comeback?


Unsurprisingly, "Crayons" has been one of my frequent listens this past week, and so far reviews have been about as mixed as the genres on the record. Admittedly, even despite my own initial skepticism, I've found a lot to love on this record. It's hard to believe that all of seventeen years have passed since the last time Donna Summer has released an original album (and about eight since her last aborted comeback). In the intervening years, her status as "Queen of Disco" and her classic recordings with Moroder & Bellotte seem to have only gained currency, so understandably expectations have been anything but modest. Despite that, "Crayons" comes across as less of an opportunity to affirm her title as the "Queen of Disco" and capitalize on the appreciation, or at least the spirit of her earlier work than it is an excuse to pick up where she had left off nearly 20 years ago and record what is possibly the most diverse, self consciously current, accessible pop records of her career. Depending on one's perspective, it's either a laudable move or a missed opportunity, and it seems almost every review out there seems to fall in either one category or the other..

In a time when the music industry seems to require veteran artists to release endless streams of standards/cover albums (the first suggestion her label brought to the table, not surprisingly), I'm not sure that there's an album out there now that manages to be so unabashedly trendy, yet so un-trendy at the same time. In my mind, she deserves a good deal of credit for bucking the trend and at nearly 60, putting out an original pop record, however out of place it may seem. While the likes of Madonna and Kylie Minogue, having perfected the impeccably timed pop singer reinvention, may be able to pull off something similar without the same sort of criticism someday; between her seventeen year absence from recording and her still strong association with the disco era, considerable vocal talent notwithstanding, one can hardly say the same for Ms. Summer.. Unlike a near decade ago when the likes of Cher and Tina Turner were putting out hit records with younger producers, in the last four or so years it seems, the thought of an aging diva staging a comeback with a pop record as polished and commercial as this one today, produced by a laundry list of current hitmaking producers feels almost like a critical death wish..

With songs like "Stamp Your Feet," seemingly tailor made for a Nike commercial, it's hook copping the Gwen Stefani/Fergie-inspired (or not so inspired) 'spelling bee' trend, to "Mr. Music", where she opens with a line about 'hooking up her iPod, shaking her body and being 'naughty, naughty', to "Crayons" (featuring Ziggy Marley) which sounds like K-os crossed with Rihanna, or even "The Queen Is Back" with it's Mary J. declarations backed with ABBA chords and hip-hop beats, parts of the album sound, to put it honestly, almost embarassing on paper. Admittedly, given all that, it would be extremely easy to completely dismiss the album altogether, if the results weren't as surprisingly and seriously enjoyable as they actually are.

Despite how they may come across on paper, the aforementioned first four tracks end up being some of the most infectious tracks on the record. The single, the Greg Kurstin produced "Stamp Your Feet" makes the perfect combination of dance-appeal and current pop-radio friendliness and "Crayons" (also produced by Kurstin), despite the surface similiarities to her less-than-stellar 1983 single "Unconditional Love," thankfully comes across infinitely better. Even the J.R. Rotem tracks - "Mr. Music" and "The Queen Is Back" with their slightly awkward combination of Donna and their urban styled production values, end up being some of the most memorably catchy tracks on the record.

Although not without it's low-points - namely the gimmicky, overproduced "Fame (The Game)" and "Slide Over Backwards" on which she adopts a southern alter ego whom she calls Hattie Mae Blanche Dubois, other album highlights include the latin styled "Driving Down Brazil," as well as Toby Gad produced "Science of Love" with it's memorable melody and impassioned vocal and lyric, which is, aside from the ones already released, perhaps the most obvious single on the album. As well, the more 'unplugged' tracks on the album, "Sand On My Feet" and the personal "Be Myself Again" and the socially conscious "Bring Down The Reign" are also notable moments, successfully bringing Donna and her voice into a setting in which she has rarely, if ever been heard. In so doing, they're perhaps the two tracks which most dramatically and clearly confirm the album's ambitions..

The first single and # 1 Billboard Dance hit "I'm A Fire" produced by Sebastian Arocha Morton emerges as another obvious highlight along with the international/US Circuit City bonus (also produced by Morton), "It's Only Love." Out of all the others, they are the only two tracks which seem to perfectly bridge the feeling of Donna Summer's classic disco recordings with today's contemporary dance/electronic aesthetics. It has to have been at least thirty years since a Donna Summer record has captured the sheer sensuality and sexiness in her voice as perfectly as "It's Only Love".

Although it's questionable whether this record will appeal to the same people who would buy a Fergie or Rihanna record, given how influential the work of Giorgio Moroder, particularly her work with him continues to be among newer generations of producers and listeners, there would likely be no shortage of younger, perhaps lesser known, but no less able and ambitious producers willing to return her to the forefront of contemporary electronic/dance music, if she so wishes to in the future. Anyone expecting as such with this album however, would probably be disappointed. Despite that, as a quality pop album and as a showcase of Summer's versatility, it's a roundly successful effort. Although her last original album was released seventeen years back, it's been even longer since Donna herself has sounded this engaged and exciting. So while this album may not singlehandedly untie her legacy from the past, she's at least proved that she's not about to be trapped by it, either. Hopefully the next album won't take another seventeen years.

As a side note, I've got my tickets to see her in Vancouver (well, Richmond actually) this coming August on her summer tour. It'll be my first time seeing her live, so I can't wait! I'll make sure I'll post a review and maybe some pix when I get back..

PURCHASE:
DONNA SUMMER - CRAYONS (US CD)
AMAZON.COM | CD UNIVERSE

DONNA SUMMER - CRAYONS (UK/INTERNATIONAL CD) - RELEASED JUNE 23
CD WOW | AMAZON.CO.UK | PLAY.COM

DONNA SUMMER - STAMP YOUR FEET (CD SINGLE)
PERFECT BEAT

DONNA SUMMER - I'M A FIRE (CD SINGLE - PART ONE)
PERFECT BEAT

DONNA SUMMER - I'M A FIRE (CD SINGLE - PART TWO)
PERFECT BEAT

PREVIOUS RELATED ENTRIES:
DONNA SUMMER/CYNDI LAUPER ALBUM UPDATES (THURSDAY MAY 15, 2008)
NEW DONNA SUMMER ALBUM COMING IN MAY.. (WEDNESDAY FEBRUARY 20, 2008)
BBC RADIO 2: CLASSIC SINGLES - I FEEL LOVE (SUNDAY DECEMBER 30, 2007)
TWIGGY DOES DISCO.. (WITH A LITTLE HELP FROM DONNA) (TUESDAY SEPTEMBER 18, 2007)
NEW DEAL FOR DONNA (THURSDAY AUGUST 3, 2006)
DONNA SUMMER - I GOT YOUR LOVE (MONDAY JANUARY 16, 2006)

DISCO DELIVERY #52: STAINLESS STEAL - CAN-CAN (1978, WARNER BROS.) (TUESDAY FEBRUARY 5, 2008)
DISCO DELIVERY #40: MUNICH MACHINE - A WHITER SHADE OF PALE (1978, CASABLANCA) (SUNDAY APRIL 29, 2007)
DISCO DELIVERY #14: SUZI LANE - OOH LA LA (1979, ELEKTRA) (SATURDAY APRIL 8, 2006)
DISCO DELIVERY #5: GIORGIO MORODER - FROM HERE TO ETERNITY (1977, OASIS/CASABLANCA) (FRIDAY FEBRUARY 3, 2006)

LINKS:
BILLBOARD.COM - DONNA SUMMER - CRAYONS (BY MIKAEL WOOD)
ALL MUSIC GUIDE - DONNA SUMMER - CRAYONS (BY ANDY KELLMAN)
SOULTRACKS: DONNA SUMMER - CRAYONS (ADVANCE REVIEW) (BY CHRISTIAN JOHN WIKANE)
THE DALLAS MORNING NEWS: DISC DEBUTS: "CRAYONS" BY DONNA SUMMER (MAY 27, 2008)
BLOG CRITICS MUSIC REVIEW : DONNA SUMMER - CRAYONS (BY DONALD GIBSON) (MAY 24, 2008)
SLANT MAGAZINE: DONNA SUMMER - CRAYONS (BY ERIC HENDERSON (MAY 20, 2008)
ORLANDO SENTINEL: VARIETY MARKS DIVA'S LATEST EFFORT (BY FERNANDO QUINTERO) (MAY 20, 2008)
THE WASHINGTON TIMES: VARIETY MARKS SUMMER'S RETURN (MAY 20, 2008)
NEW YORK TIMES CRITIC'S CHOICE: DONNA SUMMER - CRAYONS (BY BEN RATLIFF) (MAY 19, 2008)
BOSTON HERALD: DONNA SUMMER - CRAYONS (BY LARRY KATZ) (MAY 19, 2008)
THE MIAMI HERALD ALBUM REVIEWS - DONNA SUMMER - CRAYONS (BY HOWARD COHEN) (MAY 16, 2008)

POP TRASH ADDICTS: CRAYONS - THE POP TRASH REVIEW (MAY 24, 2008)
XO'S MIDDLE EIGHT: REVIEW - DONNA SUMMER'S CRAYONS (MAY 17, 2008)

DONNA SUMMER - OFFICIAL WEBSITE
DONNA TRIBUTE

CATEGORIES: NUDISCO, ARTICLES & RAMBLINGS

Thursday, May 15, 2008

Donna Summer/Cyndi Lauper album updates..


It's less than a week before the release of Donna Summer's "Crayons" and a number of album tracks have premiered on the Australian radio station, Joy 94.9 out of Melbourne, including this one, "It's Only Love," written/produced by the same team behind her club single "I'm A Fire" (Sebastian Arocha Morton, Al Kasha etc.). With the sensual feeling of "I'm A Fire" paired with a throbbing, hypnotic energy, it's an absolutely stunning contemporary dance track; in fact, I think it's club single material. Unfortunately though this won't be appearing on the standard North American release, but as a bonus track on the international release (scheduled for June 23) and reportedly as an exclusive on editions sold at Circuit City stores in the US.. Hear it here before it's gone..

I haven't been able to access it myself, but for those of you who can't wait until the release, you can stream the album in it's entirety at VH1's The Leak. Sooner or later, I'll put up a full review of the album..

Also, for those of you who want remixes, the first CD of mixes for her latest single "Stamp Your Feet," which I quite enjoy, are available officially and exclusively through Perfect Beat.

Speaking of veteran divas, Cyndi Lauper's returning with a dance album "Bring Ya To The Brink," coming out May 27th (already out in Japan). She'll be on the road this summer with the True Colors Tour and I'm kind of bummed that I won't be able to go to see her (and the awesome Nona Hendryx) on any of the Canadian stops.. As far as her album goes though, I'm not too crazy for the first single "Same Ol' Story," but I've heard some of the other tracks and I've liked what I've heard for the most part. With collaborators like Basement Jaxx, Kleerup, Axwell and the awesome Dragonette (my favourite Canadian band at the moment), there's bound to be something good on the record.

While at work last week, I heard a fun interview with her on one of my favourite shows, Jian Ghomeshi's Q on CBC Radio One where she talks about her disco roots, her Sylvester connection and goes off on her record company for calling this 'her first original album in 12 years.' Listen to the interview here.

PURCHASE:

DONNA SUMMER - CRAYONS (US CD) - RELEASED MAY 20
AMAZON.COM | CD UNIVERSE

DONNA SUMMER - CRAYONS (UK/INTERNATIONAL CD) - RELEASED JUNE 23
CD WOW | AMAZON.CO.UK | PLAY.COM

DONNA SUMMER - STAMP YOUR FEET (CD SINGLE)
PERFECT BEAT

CYNDI LAUPER - BRING YA TO THE BRINK (STANDARD CD) - RELEASED MAY 27
AMAZON.COM | CD UNIVERSE

CYNDI LAUPER - BRING YA TO THE BRINK (JAPAN CD) - RELEASED MAY 14
JPOPHELP | HMV.CO.JP

PREVIOUS RELATED ENTRIES:
NEW DONNA SUMMER ALBUM COMING IN MAY.. (WEDNESDAY FEBRUARY 20, 2008)
BBC RADIO 2: CLASSIC SINGLES - I FEEL LOVE (SUNDAY DECEMBER 30, 2007)
TWIGGY DOES DISCO.. (WITH A LITTLE HELP FROM DONNA) (TUESDAY SEPTEMBER 18, 2007)
NEW DEAL FOR DONNA (THURSDAY AUGUST 3, 2006)
DONNA SUMMER - I GOT YOUR LOVE (MONDAY JANUARY 16, 2006)

DISCO DELIVERY #52: STAINLESS STEAL - CAN-CAN (1978, WARNER BROS.) (TUESDAY FEBRUARY 5, 2008)
DISCO DELIVERY #40: MUNICH MACHINE - A WHITER SHADE OF PALE (1978, CASABLANCA) (SUNDAY APRIL 29, 2007)
DISCO DELIVERY #14: SUZI LANE - OOH LA LA (1979, ELEKTRA) (SATURDAY APRIL 8, 2006)
DISCO DELIVERY #5: GIORGIO MORODER - FROM HERE TO ETERNITY (1977, OASIS/CASABLANCA) (FRIDAY FEBRUARY 3, 2006)

LINKS:
DONNA SUMMER'S OFFICIAL SITE
DONNA SUMMER - OFFICIAL MYSPACE
VH1 - THE LEAK: DONNA SUMMER
SOULTRACKS: DONNA SUMMER - CRAYONS (ADVANCE REVIEW)

CYNDI LAUPER'S OFFICIAL SITE
CYNDI LAUPER - OFFICIAL MYSPACE
CYNDI LAUPER'S BRING YA TO THE BRINK - THE UNOFFICIAL SITE
ROLLING STONE: CYNDI LAUPER - BRING YA TO THE BRINK (ALBUM REVIEW)
TRUE COLORS TOUR

CATEGORIES: NUDISCO, DISCO NEWS

Tuesday, May 13, 2008

In Defense of Disco by Richard Dyer

I had just recently come across this excellent article on the blog History Is Made At Night, completely by accident while searching for something else (something on Isaac Hayes, I believe it was). Originally published 1979 in a London Socialist journal called Gay Left, it's apparently one of the first and most important articles in the serious documentation and examination of disco.

Although the language is somewhat academic, as per these sorts of journal essays/articles, it's well worth reading for his analysis, especially on the physicality of disco (vs. rock), as well as his three characteristics of disco - eroticism, materialism, and romanticism. For me, one of the things I found especially interesting about this essay was the way the author examined disco in terms of 'capitalist music' and the hostility around it which flowed from that mode of thought.. In other words, analyzing the criticism of disco as inherently and irredeemably capitalistic while effectively deconstructing the basis of those very criticisms..

Some choice passages:

...The second kind of argument based on the fact that disco is produced by capitalism concerns music as an ideological expression. Here it is assumed that capitalism as a mode of production necessarily and simply produces ‘capitalist’ ideology....

... What all this boils down to, in terms of disco, is that the fact that disco is produced by capitalism does not mean that it is automatically, necessarily, simply supportive of capitalism. Capitalism constructs the disco experience, but it does not necessarily know what it is doing, apart from making money...

Read the full article at History Is Made At Night or as a .pdf file at the Gay Left issue archive.

There are also some other very interesting articles at History Is Made At Night relating to disco (see "The House the Kids Built: The Gay Black Imprint on American Dance Music") as well as other subjects (see "Privatized sound? - from the Walkman to the iPod") that are all well worth a read..

LINKS:
HISTORY IS MADE AT NIGHT
WIKIPEDIA - GAY LEFT
GAY LEFT - A SOCIALIST JOURNAL PRODUCED BY GAY MEN 1975-1980

CATEGORIES: ARTICLES & RAMBLINGS

Sunday, May 11, 2008

Bedroom Disco



'Professor' Eddy - Bedroom Disco | LINK TWO

After the great response to "Starlight Disco," Professor Eddy is back with another stellar mix.. True to the title, goes from the hard, hot and heavy to the slow and sensual. To think that I had damn near forgotten all about Donna Summer's amazing version of "Je t'aime... moi non plus" (it's edited here, but the full original version is available on the "Thank God It's Friday" 2 CD soundtrack)..

Eddy also has a new internet radio show entitled "Soul Searching," which you can find at Laid Back. Also at Laid Back, check out his excellent "Slow Disco, Vol. 2" mix..

Le PamplemousseBack Street City Lights (1979)

Stacy LattisawDon’t You Want To Feel It (1980)

Herbie MannJisco Dazz (1978)

Mac DavisI’m Just In Love (1976)

Marvin GayeFunk Me (1979)

The Salsoul InventionNice And Slow (1979)

John Gibbs with the Jam BandJ’Ouvert (1979)

Risco Connection with Lorna BrooksI’m Caught Up (1980)

Silver ConventionSpend The Night With Me (1978)

MFSBSexy (1975)

Asphalt JungleFreakin’ Time Pt.1 (1979)

Sarr BandMagic Mandrake (1978)

Johnny BristolLove No Longer Has A Hold On Me (12”) (1980)

The O’JaysLet Life Flow (1976)

Teddy PendergrassCome Go With Me (1979)

Donna SummerJe T’Aime (Moi Non Plus) (Eddy’s Interrupted Edit) (1978)

PREVIOUS RELATED ENTRIES:
STARLIGHT DISCO (THURSDAY MARCH 13, 2008)

LINKS:
LAID BACK SHOW - PROFESSOR EDDY: SLOW DISCO, VOL. 1
LAID BACK SHOW - PROFESSOR EDDY: SLOW DISCO, VOL. 2

CATEGORIES: SIDE DELIVERIES

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